{"id":1087,"date":"2025-11-01T16:46:42","date_gmt":"2025-11-01T16:46:42","guid":{"rendered":"https:\/\/www.ecegulensoy.com\/?p=1087"},"modified":"2025-11-26T10:36:16","modified_gmt":"2025-11-26T10:36:16","slug":"ses-muhendisligi","status":"publish","type":"post","link":"https:\/\/www.ecegulensoy.com\/index.php\/2025\/11\/01\/ses-muhendisligi\/","title":{"rendered":"SES M\u00dcHEND\u0130SL\u0130\u011e\u0130"},"content":{"rendered":"\n

\u00d6ZGE\u00c7M\u0130\u015e<\/strong> <\/p>\n\n\n\n

\n
\n

2019 senesinde, Pieter Snapper’\u0131n Elektronik Kompozisyon s\u0131n\u0131f\u0131na kat\u0131lmas\u0131yla bu alana ilgi duymaya ba\u015flad\u0131. Ayn\u0131 sene, \u00e7e\u015fitli projelerde Pieter Snapper’\u0131n asistanl\u0131\u011f\u0131n\u0131 yapt\u0131. 2020 y\u0131l\u0131nda \u0130T\u00dc – M\u00fczik \u0130leri Ara\u015ft\u0131rmalar Merkezi (M\u0130AM) ‘nin Ses M\u00fchendisli\u011fi ve Tasar\u0131m\u0131 b\u00f6l\u00fcm\u00fcnde Y\u00fcksek Lisans e\u011fitimine ba\u015flad\u0131. \u201cBa\u011f\u0131ms\u0131z T\u00fcrkiye Sinemas\u0131nda Kad\u0131n Y\u00f6netmenlerin Ses Kullan\u0131m\u0131\u201d ba\u015fl\u0131kl\u0131 tezi ile 2024 y\u0131l\u0131nda M\u0130AM\u2019dan mezun oldu. Klasik m\u00fczik alan\u0131nda bir\u00e7ok projede asistanl\u0131k ve m\u00fchendislik yapt\u0131. <\/p>\n<\/div>\n\n\n\n

\n

In 2019, she became interested in this field when joined the Pieter Snapper’s Electronic Composition class. In the same year, she assisted Pieter Snapper in various projects. In 2020, she started her master’s degree in Sound Engineering and Design at ITU – Center for Advanced Studies in Music (MIAM). She graduated from MIAM in 2024 with her thesis titled \u201cThe Use of Sound by Female Directors in Independent Cinema of Turkey\u201d She has worked as an assistant and engineer on various projects in the field of classical music.<\/p>\n<\/div>\n<\/div>\n\n\n\n

Faz\u0131l Say \u2022 \u0130lhan Baran (Turkish Composers Vol.7)<\/strong> \u2022 ACM \u2022 2021
Genre:<\/strong> Classical\/World Music
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Behzat Cem G\u00fcnen\u00e7 \u2022 Guitar Music of Faz\u0131l Say<\/strong> \u2022 ACM \u2022 2024
Genre:<\/strong> Classical
Credit:<\/strong> Recording Director, Editing, Mixing-Mastering<\/p>\n\n\n\n

\n\n\n\n

Ay\u015feg\u00fcl Sar\u0131ca \u2022 Beethoven Op.110 (September 2021)<\/strong> \u2022 self-released \u2022 2023
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

G\u00f6khan Aybulus & \u00d6zg\u00fcr \u00dcnald\u0131 \u2022 Rachmaninoff: Music for Two Pianos<\/strong> \u2022 Ada M\u00fczik \u2022 2023
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Ay\u015feg\u00fcl Sar\u0131ca \u2022 Schubert: 4 Impromptus, Op.90, D.899<\/strong> \u2022 self-released \u2022 2023
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Ay\u015feg\u00fcl Sar\u0131ca \u2022 Brahms, Op.118 – November 2020<\/strong> \u2022 self-released \u2022 2023
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Tekfen Filarmoni Orkestras\u0131 \u2022 Dance<\/strong> \u2022 Tekfen K\u00fclt\u00fcr \u2022 2022
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

30. \u0130stanbul Caz Festivali \u2022 Gen\u00e7 Caz +23<\/strong> \u2022 IKSV \u2022 2023
Genre:<\/strong> Jazz
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Amy Salsgiver \u2022 For Eyes That Listen, A Concert<\/strong> \u2022 Arter \u2022 2022
Genre:<\/strong> Contemporary Classical
Credit:<\/strong> Recording Engineer<\/p>\n\n\n\n

\n\n\n\n

Engin G\u00fcrkey \u2022 Songs for Mallet Percussions Vol.2<\/strong> \u2022 Portamento \u2022 2021
Genre:<\/strong> Classical \/ World Music
Credit:<\/strong> Recording Engineer (Piano Accomp.)<\/p>\n\n\n\n

\n\n\n\n

Ersay \u00dcner \u2022 Taverna<\/strong> \u2022 DMC & Ersoy \u00dcner \u2022 2024
Genre:<\/strong> Turkish Pop \/ Arabesk
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Faz\u0131l Say \u2022 Ulvi Cemal Erkin (Turkish Composers Vol.6)<\/strong> \u2022 ACM \u2022 2021
Genre:<\/strong> Classical\/World Music
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Faz\u0131l Say \u2022 Ahmed Adnan Saygun (Turkish Composers Vol.5)<\/strong> \u2022 ACM \u2022 2021
Genre:<\/strong> Classical\/World Music
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Faz\u0131l Say \u2022 Muammer Sun (Turkish Composers Vol.4)<\/strong> \u2022 ACM \u2022 2021
Genre:<\/strong> Classical\/World Music
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Faz\u0131l Say \u2022 \u0130lhan Usmanba\u015f (Turkish Composers Vol.3)<\/strong> \u2022 ACM \u2022 2021
Genre:<\/strong> Classical\/World Music
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Er\u00fcnsal Duo \u2022 Bartok, A\u015fk\u0131n, Chopin<\/strong> \u2022 KMK Sanat \u2022 2021
Genre:<\/strong> Classical\/World Music
Credits:<\/strong> Recording engineer, Edit engineer, Mixing engineer<\/p>\n\n\n\n

\n\n\n\n

Eda Er & Simon Sieger \u2022 ESSE D\u00e9but<\/strong> \u2022 Elektramusic \u2022 2020
Genre:<\/strong> Contemporary, Electroacoustic
Credit:<\/strong> Mixing Assistant<\/p>\n\n\n\n

\n\n\n\n

Jilide Canka Eke & M\u00fcge Hendekli \u2022 Ludwig van Beethoven Cello Sonata No.5 in D Major<\/strong> \u2022 self-released \u2022 2023
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant (Dolby Atmos Recording)<\/p>\n\n\n\n

\n\n\n\n

Faz\u0131l Say \u2022 \u015eu D\u00fcnyan\u0131n S\u0131rr\u0131<\/strong> \u2022 ACM \u2022 2020
Genre:<\/strong> Classical\/World Music
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Emre \u015een \u2022 Chopin\u2019s Complete Piano Etudes<\/strong> \u2022 self-released \u2022 2020
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Toros Can & Beril Can \u2022 Bart\u00f3k Mikrokosmos Complete<\/strong> \u2022 lilam\u00fczik \u2022 2023
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Duo Blanc et Noir \u2022 It\u2019s Electric<\/strong> \u2022 unknown label \u2022 2022
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Simge P\u0131nar \u2022 Cevap<\/strong> \u2022 Universalmusic \u2022 2021
Genre:<\/strong> Pop \/ Alternative
Credit:<\/strong> Recording Engineer (Acoustic Drum)<\/p>\n\n\n\n

\n\n\n\n

Efe Demiral \u2022 All Out<\/strong> \u2022 Shalgam Records \u2022 2021
Genre:<\/strong> Alternative
Credit:<\/strong> Recording Engineer<\/p>\n\n\n\n

\n\n\n\n

Simge P\u0131nar \u2022 Please, Please, Please, Let Me Get What I Want (The Smiths Cover)<\/strong> \u2022 self-released \u2022 2021
Genre:<\/strong> Pop \/ Alternative
Credit:<\/strong> Recording Engineer<\/p>\n\n\n\n

\n\n\n\n

Oytun Eren \u2022 Complete Piano Compositions<\/strong> \u2022 \u00c7A\u011eSAV \u2022 2020
Genre:<\/strong> Contemporary Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Suat Arma\u011fan Ko\u00e7ak & Ezgi Aktan \u2022 Sen \u00c7ok G\u00fczel<\/strong> \u2022 hamam records \u2022 2023
Genre:<\/strong> Pop \/ Alternative
Credit:<\/strong> Recording<\/p>\n\n\n\n

\n\n\n\n

David Salvage \u2022 Felsina<\/strong> \u2022 Deux-Elles \u2022 2020
Genre:<\/strong> Contemporary Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Eren Yah\u015fi \u2022 Rachmaninov, Ravel, Liszt, Saygun<\/strong> \u2022 Orfeon Classics \u2022 2020
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Duo Blanc et Noir \u2022 Imagine<\/strong> \u2022 unknown label \u2022 2020
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Renan Koen \u2022 Plays Ali Darmar<\/strong> \u2022 Sekiz Classics \u2022 2021
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

Ye\u015fim G\u00f6kalp \u2022 Ku\u015faktan Ku\u015fa\u011fa T\u00fcrk Bestecileri<\/strong> \u2022 unknown label \u2022 2020
Genre:<\/strong> Classical
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

\n\n\n\n

G\u00f6knil Bi\u015fak \u00d6zdemir & Erdener Koyut\u00fcrk \u2022 Dinle Sevgili<\/strong> \u2022 Ahenk M\u00fczik \u2022 2021
Genre:<\/strong> Tango \/ World Music
Credit:<\/strong> Recording Engineer<\/p>\n\n\n\n

\n\n\n\n

Cihat A\u015fk\u0131n, Can Okan \u2022 Paganini-La Campanella (arr. by Kochanski)<\/strong> \u2022 KMK Sanat\/self-released \u2022 2021
Genre:<\/strong> Classical
Credit:<\/strong> Recording engineer, Editing engineer, Mixing Engineer<\/p>\n\n\n\n

\n\n\n\n

Cihat A\u015fk\u0131n, Can Okan \u2022 Jules Massenet – M\u00e9ditation, Tartini The Devil\u2019s Trill (arr. by Emile Sauret)<\/strong> \u2022 KMK Sanat\/self-released \u2022 2021
Genre:<\/strong> Classical
Credit:<\/strong> Recording engineer, Editing engineer, Mixing Engineer<\/p>\n\n\n\n

\n\n\n\n

Cihat A\u015fk\u0131n, G\u00f6khan Aybulus \u2022 C\u00e9sar Franck Sonata in A<\/strong> \u2022 KMK Sanat\/self-released \u2022 2021
Genre:<\/strong> Classical
Credit:<\/strong> Recording engineer, Editing engineer, Mixing Engineer<\/p>\n\n\n\n

\n\n\n\n

Cihat A\u015fk\u0131n, Cem Babacan \u2022 Pablo de Sarasate – Introduction et Tarantelle Op.43, Camille Saint-Saens, Introduction et Rondo Capriccioso Op.28<\/strong> \u2022 KMK Sanat\/self-released \u2022 2021
Genre:<\/strong> Classical
Credit:<\/strong> Recording engineer, Editing engineer, Mixing Engineer<\/p>\n\n\n\n

\n\n\n\n

Cihat A\u015fk\u0131n, Kandemir Basmac\u0131o\u011flu \u2022 Chopin-Sarasate Nocturne Op 9 No.2 in E flat<\/strong> \u2022 KMK Sanat\/self-released \u2022 2021
Genre:<\/strong> Classical
Credit:<\/strong> Recording engineer, Editing engineer, Mixing Engineer<\/p>\n\n\n\n

\n\n\n\n

Bur\u00e7e Karaca \u2022 Old Man\u2019s Dream<\/strong> \u2022 self-released \u2022 2021
Genre:<\/strong> Classical \/ World Music
Credit:<\/strong> Recording Engineer – Mixing Engineer<\/p>\n\n\n\n

\n\n\n\n

G\u00f6k\u00e7e Co\u015fkun \u2022 Sabah\u0131n 5\u2019i<\/strong> \u2022 Vana Papa Records \u2022 2024
Genre:<\/strong> Pop \/ Alternative
Credit:<\/strong> Recording Assistant<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00d6ZGE\u00c7M\u0130\u015e  2019 senesinde, Pieter Snapper’\u0131n Elektronik Kompozisyon s\u0131n\u0131f\u0131na kat\u0131lmas\u0131yla bu alana ilgi duymaya ba\u015flad\u0131. Ayn\u0131 sene, \u00e7e\u015fitli projelerde Pieter Snapper’\u0131n<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1087","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/posts\/1087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/comments?post=1087"}],"version-history":[{"count":10,"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/posts\/1087\/revisions"}],"predecessor-version":[{"id":1407,"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/posts\/1087\/revisions\/1407"}],"wp:attachment":[{"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/media?parent=1087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/categories?post=1087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecegulensoy.com\/index.php\/wp-json\/wp\/v2\/tags?post=1087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}